Estudio de las digitaciones del fagot como parte del desarrollo de la competencia profesional y su repercusión en la práctica de aula.
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Fecha
2019-03-03
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Jaén : Universidad de Jaén
Resumen
La presente Tesis Doctoral constituye un trabajo de investigación que reflexiona sobre la enseñanza de las digitaciones del fagot en España.
Dicha temática suscita gran interés entre los profesionales de este instrumento, en parte porque no existe consenso sobre el uso de digitaciones estandarizadas. Igualmente, tampoco existen criterios homogéneos sobre las competencias que deben adquirir los alumnos, lo que no sólo afecta a cómo se enseña y aprende a tocar el instrumento, sino que condiciona también el desarrollo profesional de los fagotistas.
Mediante una metodología de investigación cualitativa en la que se emplean la entrevista y el análisis de documentos, el presente estudio pretende contribuir a la formación de fagotistas profesionales competentes y capaces de manejar los elementos conceptuales necesarios para reflexionar y comprender su práctica docente; aportando herramientas metodológicas que ayuden a mejorar el proceso de enseñanza-aprendizaje del fagot a partir del estudio de las digitaciones.
The following Doctoral Thesis is a study that reflects on teaching bassoon fingerings in Spain. This subject raises great interest among the professionals of this instrument, partly because there is no consensus on the use of standardized fingerings. Likewise, there are no homogeneous criteria on the competences that students should acquire, which not only affects how the instrument is taught and learned but also conditions the professional development of the bassoonists. Through a methodology of qualitative research in which the interview and the analysis of documents are used, this study aims to contribute to training competent professional bassoonists capable of handling the conceptual elements necessary to reflect and understand their teaching practice, providing methodological tools that help to improve the teaching-learning process of the bassoon from the study of fingerings.
The following Doctoral Thesis is a study that reflects on teaching bassoon fingerings in Spain. This subject raises great interest among the professionals of this instrument, partly because there is no consensus on the use of standardized fingerings. Likewise, there are no homogeneous criteria on the competences that students should acquire, which not only affects how the instrument is taught and learned but also conditions the professional development of the bassoonists. Through a methodology of qualitative research in which the interview and the analysis of documents are used, this study aims to contribute to training competent professional bassoonists capable of handling the conceptual elements necessary to reflect and understand their teaching practice, providing methodological tools that help to improve the teaching-learning process of the bassoon from the study of fingerings.
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Palabras clave
Fagot, Formación del profesorado, Conservatorios de Música, Educación musical, Digitaciones, Bassoon, Teaching training, Music Education, Fingerings, Music Conservatories
Citación
p.[http://hdl.handle.net/10953/]