Please use this identifier to cite or link to this item: https://hdl.handle.net/10953/3654
Title: Music Regulations and Sacred Repertories in a Ducal Town Without a Duke: Francisco de los Cobos and the Sacra Capilla of El Salvador in 16th-Century Úbeda
Authors: Marín-López, Javier
Abstract: Although the city of Úbeda (Jaén, Spain) never had a duke or a count, it did have a figure of enormous political power and influence in Francisco de los Cobos y Molina (c.1477-1547). Born in Úbeda, in 1516 Cobos became secretary to the Emperor Charles V and took responsibility for the imperial finances, positions which made him into one of the most powerful people in Spain of that period despite his birth into the gentility in a small town far from court. This study aims to supplement the small amount of information around Cobos’ musical patronage in his home town through analysis of the musico-liturgical regulations and musical repertories related to the Sacra Capilla [Holy Chapel] of El Salvador, founded by Cobos as chapel-burial place.
Keywords: Music History
Musicology
Nobility
Plainchant
Chaplaincy
Renaissance music
Gregorian Chant
Polyphony
Spanish music
Francisco de los Cobos
Musical Patronage
Issue Date: 2018
Publisher: Brepols Publishers
Citation: Marín-López, J. (2018). Music Regulations and Sacred Repertories in a Ducal Town Without a Duke: Francisco de los Cobos and the Sacra Capilla of El Salvador in 16th-Century Úbeda. En T., Knighton, T. y Mazuela-Anguita, A. (eds.), Hearing the City in Early Modern Europe, (pp. 241-276). Brepols Publishers.
Appears in Collections:DDEMPC-Libros y Capítulos de libro

Files in This Item:
File Description SizeFormat 
Marin-Lopez_Music_Regulations_and_Sacred_Repertories.pdf322,64 kBAdobe PDFView/Open


This item is protected by original copyright