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Gold in the Alhambra: study of materials, technologies, and decay processes on decorative gilded plasterwork

dc.contributor.authorde-la-Torre-López, María José
dc.contributor.authorDomínguez-Vidal, Ana
dc.contributor.authorCampos-Suñol, María José
dc.contributor.authorRubio-Domen, Ramón
dc.contributor.authorSchade, Ulrich
dc.contributor.authorAyora-Cañada, María José
dc.date.accessioned2025-01-28T22:48:02Z
dc.date.available2025-01-28T22:48:02Z
dc.date.issued2014-02-24
dc.description.abstractA complete study of the decayed gilded decorations of the stalactite vaults in the Hall of the Kings in the Alhambra complex (Granada, Spain) has been carried out for the first time. Preliminary investigations were carried out in situ using a portable Raman spectrometer and enabled the identification of tin (II) oxide in the black areas nearby the golden flakes. This suggested the presence of an altered tin foil. Then, a comprehensive characterization of these decorations was achieved through the use of complementary nondestructive techniques working on microsamples. Two main metallic structures were identified by means of scanning electron microscopy coupled to energy dispersive X-ray spectroscopy: (1) a thin (1–2 μm) gold leaf (probably original), and (2) redecorations with a laminated structure formed by a gold leaf placed over a thicker (10–15 μm) tin foil. Synchrotron Fourier transform infrared microspectroscopy revealed the use of proteinaceous glue to fix the gold leaf directly on the plasterwork, whereas in the case of the laminated structures, either glue or a natural resin was found. Raman microspectroscopy provided insight into the main decay processes affecting the gildings: the detachment of the metals due to the alteration of the organic materials employed as adhesives (forming calcium oxalates) and the oxidation of the tin foil. In addition, two technologies of false gilding have been encountered. One was based on a tin foil tinted to look like gold by means of a varnish (composed of a drying oil and a natural resin), and the second was made up with a tin–copper alloy (bronze) that appears severely degraded to copper oxalate and tin (II) oxide, as revealed by Raman microspectroscopy. Copyright © 2014 John Wiley & Sons, Ltd.
dc.identifier.citationde la Torre-López M. J., Dominguez-Vidal A., Campos-Suñol M. J., Rubio-Domene R., Schade U. and Ayora-Cañada M. J. (2014), Gold in the Alhambra: study of materials, technologies, and decay processes on decorative gilded plasterwork, J. Raman Spectrosc., 45, pages 1052–1058, doi: 10.1002/jrs.4454es_ES
dc.identifier.issn1097-4555es_ES
dc.identifier.otherdoi: 10.1002/jrs.4454es_ES
dc.identifier.urihttps://hdl.handle.net/10953/4471
dc.language.isoenges_ES
dc.publisherWileyes_ES
dc.relation.ispartofJ. Raman Spectrosc., 45, pages 1052–1058es_ES
dc.rights.accessRightsinfo:eu-repo/semantics/openAccesses_ES
dc.subjectGildinges_ES
dc.subjectAlhambraes_ES
dc.subjectPlasterworkes_ES
dc.subjectTines_ES
dc.subjectCalcium oxalatees_ES
dc.titleGold in the Alhambra: study of materials, technologies, and decay processes on decorative gilded plasterworkes_ES
dc.typeinfo:eu-repo/semantics/articlees_ES
dc.type.versioninfo:eu-repo/semantics/acceptedVersiones_ES

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