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El coro en las catedrales de Andalucía oriental entre el Barroco y el Neoclasicismo

dc.contributor.authorGalera-Andreu, Pedro Antonio
dc.date.accessioned2025-07-16T10:52:55Z
dc.date.available2025-07-16T10:52:55Z
dc.date.issued2003
dc.description.abstractThe oriental Andalusian's Cathedrales are been constructed since the XVI's century, sometimes destroying ancient gothic temples and others with new ground plan, but the majority of them prolongingtheir construction until the end of the XVIII cen tury. In these circunstances, the chorus are the last elementes to effect, converging in them the change of the artistic taste from the baroque to the academic neoclasicism. Inder the view of the confrontation between these two aesthetic attitudes is how it can be analyzed in its architectonic side. The alternative projects of its moving to the presbyteryfrom the original location "the hispanic way" had no prosperation, but anyway this joinned the aesthetic confrontation between the baroque and the neoclasicism styles in their architecture and ornamentation.
dc.identifier.citationLas catedrales españolas: del Barroco a los Historicismos / coordinado por Germán Antonio Ramallo Asensio, pp. 41-64
dc.identifier.isbn84-8371-427-2
dc.identifier.urihttps://hdl.handle.net/10953/5960
dc.language.isospa
dc.publisherUniversidad de Murcia
dc.rightsCC0 1.0 Universalen
dc.rights.accessRightsinfo:eu-repo/semantics/openAccess
dc.rights.urihttp://creativecommons.org/publicdomain/zero/1.0/
dc.subjectCoro
dc.subjectAndalucía Oriental
dc.subjectBarroco
dc.subjectNeoclasicismo
dc.subject.udc9
dc.titleEl coro en las catedrales de Andalucía oriental entre el Barroco y el Neoclasicismo
dc.typeinfo:eu-repo/semantics/book

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