La música en la Catedral de Córdoba durante el siglo XVIII: Agustín Contreras (1706-1751) y Juan Manuel Gaitán Arteaga (1752-1780).
Fecha
2018-07-13
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Jaén : Universidad de Jaén
Resumen
Esta Tesis Doctoral estudia la vida musical en la Catedral de Córdoba durante el siglo XVIII y su proyección urbana en el contexto catedralicio de la época, prestando especial atención al periodo en el que fueron maestros de capilla los compositores Agustín Contreras (1706-1751) y Juan Manuel Gaitán Arteaga (1752-1780). La investigación ha permitido constatar la preeminencia cultural y económica de la Catedral de Córdoba respecto a otras instituciones de su entorno urbano durante el siglo XVIII. La transcripción y análisis de obras de Contreras y Gaitán permite percibir un cambio acusado en el estilo de la música creada para la Catedral de Córdoba entre la primera y la segunda mitad del siglo XVIII, coincidiendo con el relevo de un compositor por otro en el magisterio de capilla del templo cordobés.
La Tesis consta de dos volúmenes: el volumen I presenta el estudio de la música del siglo XVIII en la Catedral de Córdoba durante el magisterio de Agustín Contreras y Juan Manuel Gaitán Arteaga, distribuido en cinco capítulos; el volumen II contiene cinco apéndices. Estos son: 1) Catálogo de las obras de Agustín Contreras; 2) Catálogo de las obras de Juan Manuel Gaitán; 3) Edición de siete obras de ambos compositores; 4) Transcripción de 152 documentos ordenados temáticamente; y 5) Biografías de los 135 músicos de la capilla de la Catedral de Córdoba en el siglo XVIII.
This doctoral dissertation studies musical life at Córdoba Cathedral during the 18th century and its urban projection in the context of the period, with particular attention to the time in which the composers Agustín Contreras (1706-1751) and Juan Manuel Gaitán Arteaga (1751-1780) were chapelmasters. The research reveals the cultural and economic preeminence of the Cathedral with respect to other institutions of the city. The transcription and analysis of works by Contreras and Gaitán show a change of style in the music performed at the Cathedral between the first and second half of the 18th century, coinciding with the change of chapelmaster. The dissertation has two volumes. Volume I: Study, in five chapters; and Volume II that has five Appendices : 1) Catalog of the works by Agustín Contreras; 2) Catalog of the works by Manuel Gaitán; 3) Edition of four representative works by Contreras and three works by Gaitán; 4) Transcription of a selection of 152 documents organized by topic; and 5) Biographies, based on unpublished archival research, of the 135 musicians who worked at Córdoba Cathedral during the 18th century.
This doctoral dissertation studies musical life at Córdoba Cathedral during the 18th century and its urban projection in the context of the period, with particular attention to the time in which the composers Agustín Contreras (1706-1751) and Juan Manuel Gaitán Arteaga (1751-1780) were chapelmasters. The research reveals the cultural and economic preeminence of the Cathedral with respect to other institutions of the city. The transcription and analysis of works by Contreras and Gaitán show a change of style in the music performed at the Cathedral between the first and second half of the 18th century, coinciding with the change of chapelmaster. The dissertation has two volumes. Volume I: Study, in five chapters; and Volume II that has five Appendices : 1) Catalog of the works by Agustín Contreras; 2) Catalog of the works by Manuel Gaitán; 3) Edition of four representative works by Contreras and three works by Gaitán; 4) Transcription of a selection of 152 documents organized by topic; and 5) Biographies, based on unpublished archival research, of the 135 musicians who worked at Córdoba Cathedral during the 18th century.
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Palabras clave
Música, Córdoba, siglo XVIII, catedrales, Music, 18th century, cathedrals
Citación
p.[http://hdl.handle.net/10953/]