Departamento de Ingeniería Gráfica, Diseño y Proyectos
URI permanente para esta comunidadhttps://hdl.handle.net/10953/40
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Examinando Departamento de Ingeniería Gráfica, Diseño y Proyectos por Autor "Cáceres-Criado, Irene"
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Ítem Digital preservation and virtual 3D reconstruction of "The Baker’s house" in the archaeological site of Torreparedones (Baena, Cordoba-Spain)(Elsevier, 2022-02-28) Cáceres-Criado, Irene; Triviño-Tarradas, Paula; Valderrama-Zafra, José Manuel; García-Molina, Diego FranciscoTorreparedones archaeological site is in the heart of the Cordoba countryside. The documentation of the domus “The Bakers’s house” took place, being a key heritage asset for understanding its spaces. The domus, is named after the conservation of the floor from a Roman bread oven. Also, the preservation of the base of a Roman rotating mill implies the elaboration of bakery products in this house. Due to the lack of archaeological remains, it is necessary to carry out a thorough literature review, working on the interpretation of each area. Thanks to the bibliography of contemporary domus, the interpretation of the residential area spaces is achieved, as well as the interpretation of architectural and decorative issues. The main research objective was to obtain solid documentation to perform the 3D model of the Baker’s domus and its display by decoding QR code, that facilitates the conservation of existing Andalusian Archaeological heritageÍtem Graphic representation of the degree of historical-archaeological evidence: the 3D reconstruction of the “Baker’s House”(SPRINGER, 2022-03-11) Cáceres-Criado, Irene; García-Molina, Diego Francisco; Mesas-Carrascosa, Francisco Javier; Triviño-Tarradas, PaulaOver the years, the methodologies used for graphic representation in archaeology have evolved. The substantial change in representation was achieved with the use of computer software. Currently, 3D sketch scanning and photogrammetry are predominating tools used in this field. A new methodology, i.e., the use of the historical-archaeological evidence level scale, has entered this discipline to show the veracity of archaeological studies, as well as that of the vestiges found. The present study is focused on the virtual reconstruction of the ‘Baker’s House’ in the archaeological site of Torreparedones (Córdoba, Spain). The main aim of this study was to show and identify the veracity of the obtained reconstruction, through the use of the historical-archaeological evidence scale and the elaboration of a typological rank. The methodology used shows the evidence level employed by experts in the creation of virtual representations. The dissemination of the proposed historical-archaeological evidence scale entails the graphical identification of the veracity of reconstructions in this type of representations, always complying with the scientific quality criteria established by the Seville Letter.Ítem New approach for optimizing the interpretation and representation of the degree of historical‑archaeological evidence in the virtual reconstructions(SPRINGER, 2022-10-10) Cáceres-Criado, Irene; García-Molina, Diego Francisco; Mesas-Carrascosa, Francisco Javier; Triviño-Tarradas, PaulaVirtual reconstruction is defined as the visual recovery of a building or object through the creation of a three-dimensional model of the asset to be reconstructed, in a historical context. To provide the degree of veracity to the virtual reconstructions performed in the scope of heritage, the so-called historical-archaeological evidence scale emerged. Some authors have already used this methodology to provide their reconstructions with the degree of evidence, although none of the current propositions of evidence scales have been standardised to date. Moreover, it is still important to disseminate such scales as much as possible, since it has been shown that neither experts in this field of knowledge nor common users know about this methodology. The aim of this study was to design and create a new proposition of historical-archaeological evidence scale based on the achromatism and implement it in the ‘Baker’s House’ at the archaeological site of Torreparedones (Baena, Córdoba, Spain). To carry out this investigation, it was essential to compare and analyse each proposition of historical-archaeological evidence scale. The qualitative and quantitative studies about the existing scale propositions also played a fundamental role in the realisation of this work. These results, in addition to the chromatic study, support the creation of a new proposition of historical-archaeological evidence scale, designed for any type of viewer. Each phase of the study met the quality standards established for this type of research.Ítem Proposition for the graphic representation, interpretation and evaluation of the degree of terrain resolution in virtual reconstructions(ELSEVIER, 2023-07-25) Cáceres-Criado, Irene; Triviño-Tarradas, Paula; Valderrama-Zafra, José Manuel; García-Molina, Diego FranciscoThe Seville Principles gather in their definitions the 3D representation of heritage assets in their context, that is, elements such as the surroundings and landscape, for both virtual reconstructions and virtual recreations. Currently, there are few virtual reconstructions that implement the historical-archaeological evidence scale to show the veracity of the work that has been carried out. Moreover, none of the existing propositions of historical-archaeological evidence scales consider the veracity of the represented terrain. Authors assign a neutral colour to the terrain, different from those applied to the evidence levels, in order to differentiate the former from the latter. The present study proposes the development of a methodology to implement a resolution scale that graphically represents, interprets and evaluates the setting of the terrain associated with virtual reconstructions. To this end, a literature review was conducted on the existing methodologies for the creation of Digital Terrain Models (DTM). The evaluation of the analysed information was key for the selection of the resolution levels, which was followed by the selection of the colours associated with each resolution level, taking into account the subjective connotations of colours.