DG-Artículos
URI permanente para esta colecciónhttps://hdl.handle.net/10953/214
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Examinando DG-Artículos por Autor "Arjonilla, Paz"
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Ítem Characterization of Wall Paintings of the Harem Court in the Alhambra Monumental Ensemble: Advantages and Limitations of In Situ Analysis(MDPI, 2022-02-23) Arjonilla, Paz; Domínguez-Vidal, Ana; Rubio-Domene, Ramón; Correa, Elena; de-la-Torre-López, María José; Ayora-Cañada, María JoséNon-invasive techniques (X-ray fluorescence, XRF, and Raman spectroscopy) were used for the study of the Hispano Muslim wall paintings. Principal component analysis (PCA) was performed on the semi-quantitative XRF results directly provided by the in-built factory calibrations with minimum user manipulation. The results obtained were satisfactory and highlighted differences and similarities among the measurement points. In this way, it was possible to differentiate the decorations carried out on gypsum plasterwork and the wall paintings over lime plaster. The color palette, revealed by combining the results from XRF and Raman spectroscopies, comprised the pigments hematite, lapis lazuli, cinnabar (in poor conservation state), and possibly, carbon. Evidence of past interventions was also provided by PCA on XRF data, which detected the presence of Pb, Ba, and Zn in some areas. Furthermore, the preparation layers have been studied in detail on crosssections of two microsamples. Several layers of lime plaster with a compact microstructure have been observed. The characteristic of the pictorial layer and the identification of calcium oxalate point to the use of a secco-technique. The main alteration identified was a gypsum surface layer covering the painting and signs of plaster deterioration due to gypsum migration to more internal areas. Finally, the comparison with the observations made by restorers in previous interventions on these paintings revealed the importance of the representativeness gained with the in situ study, which enabled the analysis of a high number of areas.Ítem In situ Raman spectroscopic study of marble capitals in the Alhambra monumental ensemble(Springer, 2016-11-11) Arjonilla, Paz; Domínguez-Vidal, Ana; de-la-Torre-López, María José; Rubio-Domene, Ramón; Ayora-Cañada, María JoséThe marble capitals of five different sites in the Alhambra complex (Granada, Spain), namely the Mexuar, the Hall of the Abencerrages, the Hall of the Kings, the Court of the Myrtles and the Court of the Main Canal, have been investigated. The decoration of the capitals exhibits mainly blue, red, black and gilding motifs with different states of conservation. The work has been carried out in situ by means of a portable Raman micro-spectrometer with an excitation laser of 785 nm. In addition to preserving the artwork with a non-invasive study, the on-site investigation gives a more representative knowledge of the art objects because the measurements are not limited to the samples that can be taken (few and small). The obtained Raman spectra were of good quality despite challenging adverse conditions out of the laboratory. Cinnabar, minium, carbon black, natural lapis lazuli and azurite were the main pigments found. Synthetic ultramarine blue was also detected in a capital as a result of a modern restoration. Degradation products as tin oxide in the gildings and weddellite in the preparation layers were also identified. All the results together with a careful visual inspection can be combined to elucidate the different execution techniques employed to apply the pigments on the marble substrate of the capitals in the Nasrid and Christian periods.Ítem Spectroscopic Investigation ofWall Paintings in the Alhambra Monumental Ensemble: Decorations with Red Bricks(MDPI, 2021-04-14) Arjonilla, Paz; Ayora-Cañada, María José; de-la-Torre-López, María José; Correa, Elena; Rubio-Domene, Ramón; Domínguez-Vidal, AnaThe Alhambra Monumental Ensemble (Granada, Spain) is a unique well-preserved palatine city from the medieval Islamic period, and it constitutes the best example of Nasrid architecture. In this work, we focus on the study of one of its most unknown decorations: Wall paintings with the appearance of red bricks. These faux brick decorations are found in many different locations within the Alhambra complex, including both exterior and interior walls, arches and vaults. We have considered locations from different Nasrid reigns to gain information about their characteristics in terms of materials, execution techniques and conservation state. They have been studied combining a non-invasive methodology using portable equipment (X-ray fluorescence (XRF) and Raman spectroscopy) with complementary studies on selected samples (Scanning Electron Microscopy-Energy Dispersive X-ray Spectroscopy (SEM-EDS) and Raman microimaging). In general, those located in the exterior are poorly preserved, in contrast with the good conservation state of the interior motifs. The red rectangles of these decorations were painted over a white finishing layer, which acted also as the edge lines between these false bricks. The red colour was always due to hematite (α-Fe2O3), as revealed by its characteristic Raman bands. The use of a natural red ochre pigment (very abundant in the region) could be hypothesised considering XRF and SEM-EDS results. In general, the white layer was made of lime mortar and the presence of CaCO3 in the painting layers suggests the use of lime-based techniques (either fresco or mezzo fresco). Only in one of the indoor locations, a different execution technique, based on gypsum (CaSO4 · 2H2O) plaster, was used. The identification of calcium oxalate in this location, in the form of weddellite (CaC2O4 · 2H2O), can be interpreted as the result of organic binder degradation. Furthermore, superficial contamination with gypsum was always detected in outdoor locations.