Examinando por Autor "Olmos Romera, Ricardo"
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Ítem Imágenes para un linaje: vida, muerte y memoria ritual en la Cámara principesca de Piquía (Arjona, Jaén)(Giorgio Bretschneider Editore, Roma , 2012) Olmos Romera, Ricardo; Rueda Galán, Carmen; Ruiz Rodríguez, Arturo; Molinos Molinos, Manuel; Gómez Cabeza, FranciscoCon este artículo damos a conocer el hallazgo de un excepcional conjunto ático que se ha documentado, tesaurizado y amortizado, en una cámara funeraria fechada en el siglo I a.C., en la necrópolis de Píquía (Arjona, Jaén). Un contexto especial en el que el ámbito de la pareja se articula a través de temas mitológicos heterogéneos y variados, que resaltan el papel simbólico de la refundación de un linaje, que mira al pasado y selecciona la imagen griega, tres siglos anterior, con la que se siente identificado.Ítem Youth in an enclosed context: new notes on the Attic pottery from the Iberian Tútugi necropolis (Granada, Galera)(Archaeopress, 2019) Rueda Galán, Carmen; Olmos Romera, RicardoIn this article we analyse how spaces and associations shed light on the renewed meanings of Attic ceramics in the Iberian context. We begin with a fundamental idea: that Attic pottery converses with its context and assumes a new meaning from the resultant conversation. As such, in the narratives related to the hereafter, Attic pottery becomes integrated and its original significance is transformed in the adoption process, contributing to the Iberian elite’s construction of the imaginary. The Iberian necropolis of Tútugi (Galera, Granada) brings us closer to archaeological records in which we can analyse some of these religious constructs, such as that associated with youth. In this space, Attic image and indigenous materials confer and define the aristocratic ambit of youth, which is associated with initiation and education. However, it also contributes to the study of other aspects linked to the definition of legitimation codes, which can be analysed from a contextual and spatial analysis, in which the Attic image intervenes.